The days – salamanders, were passing, white,
against the background of an elapsed summer.
The synthesis was a baby.
Everything is headlong –
to be touched, skin to skin,
and to become one.
Time was speaking.
It was saying that the future was past,
and the past was never.
I love you!, I was saying to the underwater bells of light
where I was seeing him above the sea floor.
I was loving him with bliss,
and I was knowing him.
Ουροβόρος (Ouroboros)
He is caressing my breasts,
I am caressing his hands,
which are caressing my breasts.
All life created itself so that
I would feel in your arms
the way I do.
Serafimova was shortlisted for the Montreal International Poetry Prize 2017 and Summer Literary Seminars 2018 Poetry Contest, and long-listed for the Erbacce Press Poetry Prize 2018 and the Red Wheelbarrow 2018 Prize, as well as nominated for the Best of the Net by the BeZine. Margarita has three collections in Bulgarian (the most recent being The Insolubility of Splendour (2018)). Her work appears in Agenda Poetry, London Grip New Poetry, Trafika Europe, European Literature Network, The Journal, A-Minor, Waxwing, Orbis, Nixes Mate Review, StepAway, Ink, Sweat and Tears, HeadStuff, Minor Literatures, The Writing Disorder, The Birds We Piled Loosely, Orbis, Chronogram, Noble/ Gas Quarterly, Origins Journal, miller’s pond, Obra/ Artifact, Califragile, TAYO, Shot Glass Journal, Opiate, Poetic Diversity, Novelty Magazine, Pure Slush, Harbinger Asylum, Punch, Tuck, Ginosko, etc. Facebook
South Broadway Ghost Society 