han’s solo – mark blickley and keith goldstein

Keith Goldstein - Acadia NP.jpg

sbgs cowskull
Editor’s note: the following piece is an ekphrasis, a rhetorical exercise where usually an artist bases a piece of writing off of an image. In this case, Mark Blickley based the following story off of Keith Goldstein’s image above, a picture of his son at Acadia National Park.

sbgs cowskull

I’ve had this recurring Bridge Dream for nearly fifteen years. It first appeared one night after being exhausted by cram studying for my Bar Mitzvah. In this initial fantasy I was a swaddled infant left on the very beginning of a long and twisting walkway through a vibrant yet desolate forest. I was crying and there was blood from my bris seeping through the fabric covering my groin. We don’t need to dig Freud up from his grave to figure out I was about to undergo a ritual of manhood, so I must’ve been thinking about the genital mutilation that first signaled my acceptance into the tribe. What’s quite disturbing about this recurring dream as it appears today is that after fourteen years of experiencing it, I’ve only move forward incrementally from the bloody infant that was first placed on this forest path, into a six year old boy that balks at moving forward. In the real world I’m about to turned twenty-eight.

My name’s Han because my parents are both Star Wars freaks and the worship of this film series is the only real religion practiced in my household. They obviously were not the only disciples. When I was in Pre-K, there was another boy named Han as well as a girl named Leia.

What’s strange about my abandoned boy at the bridge recurring dream is that it’s always just a prologue to whatever else I’ll be dreaming that night. This winding walkway always introduces whatever anxious or peaceful visions my brain has decided to focus on that night—nightmare, erotic ecstasy, exciting adventures, idyllic beauty.

These days in my dream I am a first-grader who is really hesitant about moving forward, but I also see it as my feet turning into the classic ballet 4th position. My mother taught ballet for years so perhaps my foot position on the bridge is a nod to her. Once again I don’t need to disinter Freud to figure out this bridge snakes into a representation of my life’s journey. By the way, did you know that babies double their birth size by age five months? Yet in my recurring dream I remained a crying, bleeding infant for years —no physical growth, no emotional growth.

I’m a bit confused about relationships with women. My testosterone tells me to be more aggressive and not to feel so shy and unworthy. I’m always terrified of saying the wrong thing. In High School I didn’t really have a girlfriend because I always hung out within this circle of friends that were both males and females. Most activities were communal, not individual dates. Recently I joined a dating app called Bumble. On Bumble only women can initiate first contact which I like because it reduces the stress of rejection, yet I’ve been registered on this app for five months and have yet to receive a single hit.

I’m presently undergoing E.M.D.R. (eye movement desensitization and reprocessing) therapy, which also includes hand tapping and listening to ambient sounds, like ocean waves, via headphones that seesaw these sounds from ear to ear to promote a kind of aural hypnosis. One of the side effects of this treatment is that it can cause vivid, realistic dreams, but my recurring dream happened years before I entered therapy. My therapist insists I keep a journal between sessions in order to maintain the session’s progress she insists is occurring.

My shrink Martha works for the V.A. but please don’t think I’m some sort of Veteran war hero suffering from PTSD. I never even enlisted in the War Against Christmas, yet I’ve never known a world without suicide bombings, school shootings and acts of terrorism that take place in my backyard, not in some distant land. Martha is also an ordained Lutheran pastor but she never mentions God in any of our sessions.

I tell Martha I’m so sick of reading/hearing reasons why Millennials can’t grow up. My shrink calls it a “First World” problem not unique to young men my age. I am depressed and anxious all the time but don’t know why. I am always smiling and laughing at jokes I don’t think are funny so people won’t discover how unhappy I am. I feel like I’m faking everything. Being an adult to me means not doing things you enjoy doing, yet that’s nuts because my parents still act like kids at Star Wars Conventions.

Why am I so miserable? I had everything I was supposed to need while growing up— emotional and financial security, a good education and now I have a more than decent paying job. I do feel guilty that they are so many less fortunate than me and know it is unmanly to be so constantly sad. Every day there’s somebody crying out what privileged assholes we Millennials are, so I always feel pressured to pretend I’m happy.

My shrink says I should spend less time always surrounding myself with people and more time being alone, even if it means being bored at first. But I can’t relax by myself. I tried all different kinds of things, but I can’t slow down my goddamn anxious thoughts. I’ve tried drugs, porn, video games and even different kinds of meditation—Zen Meditation with mindfulness on breathing and intentionally focusing on the moment. Then I did Metta meditation to focus on a loving kindness towards myself as well as empathy for other people. In my final workshop I studied Sufi mediation to try to achieve mystical union with a Supreme Being.

In every class and workshop I’ve taken, I seem to be the only one who can’t obtain this metaphysical knowledge and peace. I would often comfort myself in class by thinking my fellow students are just bullshitting their enlightenment to try to make me feel like shit—but thoughts like that defeat the entire purpose of meditation, which is to get to know myself and pull away from the outside world to focus on my inner world, instead of blaming everyone else for my failure. Do you understand how fucked up a person I am? Hell, I even get sad deleting old tweets because it feels like I’m flushing away a big part of who I was and who I am.

Last month Martha suggested I try using a weighted blanket that applies deep pressure touch. She says it simulates the feeling of being comforted, like a swaddled baby, and is supposed to help my insomnia and anxiety. So instead of fighting my anxieties like a real man, I retreat into acting like a fucking baby again, all tucked inside my crib beneath a blanket with 30 pounds of pellets sewn into it. So far it hasn’t worked.

When I ask Martha how she arrives at the concept of what exactly my emotional age is, she turns the question back on me and asks what do I believe is my emotional age? I tell her I don’t know anything except first my dick is snipped at birth and then as I advance in life I have my balls constantly broken by social proclamations that I MUST BE SUCCESSFUL!

I worry I’ll never live up to my own expectations. I grew up being told I could be anything I wanted to be, but I’m coming to the realization that I’m not as smart, talented or special as I thought I was and that fuels an obsession with having to succeed. My friends and I seem to be growing up poorer than our parents. My Mom and Dad can afford to go to Star Wars conventions all over the world but my important travel plans are still handcuffed by student loans.

I get incredibly stressed over not being able to find a WiFi spot, forgetting passwords to online accounts, the buffering sign when I’m streaming online—it’s like taunting me that my life is going in circles, like the areola of a maternal tit. I stress when unable to find my T.V. remote just as my favorite Netflix show is starting.

Why am I unable to advance past the age of six in my recurring dream? Is it because I’m a victim of helicopter parenting? During my childhood my Mom and Dad hovered over every experience and problem I had growing up. Cell phones are the longest umbilical cords in the world. I was taught to be afraid of strangers, playing sports, sexual contact. Is that why they claim we Millennials act more like children than adults?

This outburst of self-pity is very tiring, so I’m going to disappear under my state of the art weighted blanket and hope tonight is the night it crushes my recurring dream of being a child stranded on a spooky bridge inside a dying, primeval forest. And if my heavy blankie is unable to extinguish the dream, perhaps when I wake up I will have at least gained a year of emotional age so I will be a seven year old boy on that walkway, just three quarters away from achieving my true age of twenty-eight.

sbgs cowskull

Mark Blickley is a proud member of the Dramatists Guild and PEN American Center as well as the recipient of a MacArthur Foundation Scholarship Award for Drama. He is the author of Sacred Misfits (Red Hen Press), Weathered Reports: Trump Surrogate Quotes from the Underground (Moira Books) and the forthcoming text based art book, Dream Streams (Clare Songbirds Publishing). His video, Widow’s Peek: The Kiss of Death, was selected to the 2018 International Experimental Film Festival in Bilbao, Spain. He is a 2018 Audie Award Finalist for his contribution to the original audio book, Nevertheless We Persisted. 

Keith Goldstein is a freelance photographer and photo editor in New York City.  Keith began exhibiting his photography since the1980’s. His work has appeared in many publications including  ABC News Australia, Now Public, Flak Magazine, JPEG Magazine, Time. His work is included various private collections and in the Erie Art Museum, Brooklyn Museum, and the S.K. Neuman Culture Center, Brno, Czechoslovakia. Website

the haunting – the ghost of esperanza

00 ghostie

How do I write that I love you?  How do I say that I love you in a way that doesn’t want to possess you?  When you laugh and your eyes squint it fills me up.  When you look into me, you make me feel seen and alive.  Like I want to feel everything.  Your touch, your gaze, your compassion to all my energy, makes me feel like warming up the world instead of burning it down.  The way you process the world astounds me.  You make me more loving to myself. You challenge me to be better than my bad habits. You challenge my negativity.  I have never felt more love than when I am around you. I feel free and trusted.  You nurture me in a way I have needed.  When you let me in and let me see you, I am recharged.  And I have asked you for deeper.  And I am also scared of deeper because like you I am clumsy until one of us has to be the gentle one with the steadier touch.  You make me secure even when I fear myself.  You’ve helped me see my magic as the reality it is.  And I don’t think that you see that you are magic.  You give me so much life.  I need security.  I desire security that we can’t always guarantee.  You teach me patience with me.

sbgs cowskull

remembering to dream – linda m. crate

IMG_3663

standing on the edge of love, i looked in but was always forced out; a false god stood in the temple of my family keeping me away from all those who loved me—i could not break his lies nor could he swallow my truths, and so we stood he and i; two different shades of fire unable to communicate—he misunderstood me, claimed i misunderstood him; people have always whispered that he is good but they didn’t have to kill his ghosts—they didn’t know how my feet trembled in fear of breaking egg shells or how hard it was for me to reclaim all that was lost, didn’t know what it was to be versed in silence so they could know the hymns of peace when they really wanted to war against monsters; they do not know the definition of good—but maybe that’s the point, no one really knows what they are saying, no one really knows; everyone thinks but no one knows until they see the monster how monsterous a monster can be—but i know, and i’ve seen, his fangs; he cannot feign innocence to me—sometimes monsters take the shape of people we love, and sometimes that means we have to kill nightmares so we can remember how to dream.

sbgs cowskull

Linda M. Crate’s poetry, short stories, articles, and reviews have been published in a myriad of magazines both online and in print. She has five published chapbooks A Mermaid Crashing Into Dawn (Fowlpox Press – June 2013), Less Than A Man (The Camel Saloon – January 2014), If Tomorrow Never Comes (Scars Publications, August 2016), My Wings Were Made to Fly (Flutter Press, September 2017), and splintered with terror (Scars Publications, January 2018), and one micro-chapbook Heaven Instead (Origami Poems Project, May 2018). She is also the author of the novel Phoenix Tears (Czykmate Books, June 2018). TWITTER | INSTAGRAM | FACEBOOK

Photo: Steve Shultz

submit to south broadway ghost society.

six poems – margarita serafimova

IMG_3709

The days – salamanders, were passing, white,
against the background of an elapsed summer.
The synthesis was a baby.

 

 

 

 

Everything is headlong –
to be touched, skin to skin,
and to become one.

 

 

 

 

Time was speaking.
It was saying that the future was past,
and the past was never.

 

 

 

 

I love you!, I was saying to the underwater bells of light
where I was seeing him above the sea floor.
I was loving him with bliss,
and I was knowing him.

 

 

 

 

Ουροβόρος (Ouroboros)

He is caressing my breasts,
I am caressing his hands,
which are caressing my breasts.

 

 

 

 

All life created itself so that
I would feel in your arms
the way I do.

 

sbgs cowskull

Serafimova was shortlisted for the Montreal International Poetry Prize 2017 and Summer Literary Seminars 2018 Poetry Contest, and long-listed for the Erbacce Press Poetry Prize 2018 and the Red Wheelbarrow 2018 Prize, as well as nominated for the Best of the Net by the BeZine. Margarita has three collections in Bulgarian (the most recent being The Insolubility of Splendour (2018)). Her work appears in Agenda Poetry, London Grip New Poetry, Trafika Europe, European Literature Network, The Journal, A-Minor, Waxwing, Orbis, Nixes Mate Review, StepAwayInk, Sweat and Tears, HeadStuff, Minor Literatures, The Writing Disorder, The Birds We Piled Loosely, Orbis, Chronogram, Noble/ Gas Quarterly, Origins Journal, miller’s pond, Obra/ ArtifactCalifragile, TAYO, Shot Glass Journal, Opiate, Poetic Diversity, Novelty Magazine, Pure Slush, Harbinger Asylum, Punch, Tuck, Ginosko, etc. Facebook

submit to south broadway ghost society.

nightmares – ghost of esperanza

ghost yard

I have these recurring dreams of protecting myself

In one, I was hitch-hiking.
I had a purse full of knives in case of danger
I still remember glancing inside my purse trying to determine
Which one would make me the safest?
Which one could I grab the quickest?

I once heard a story of woman hitchhiking
She got picked up by a truck driver who put his hand on her knee
He tried to grab her by the neck and push her face into his crotch
She stabbed him in the leg
and threw the truck into Park
and hopped the fuck out

In my dream, I didn’t need the knives for protection
In my dream, I took the truck

I had a dream
That my brother’s friend took me in when I needed a roof
I told him that I would not hug him
I told him that I would pay him because I didn’t trust a handout
He eyed me like cake
he waited until I was asleep to touch me
He said he only wanted to tickle me
In my dream, I said I didn’t want to be touched or tickled.
In my dream, I put pepper spray can to his face
and said he didn’t get to touch
He said I was cute when I was angry
In my dream, I peppered sprayed the fuck out of his eyes

I had a boyfriend who once gave me a knife to protect myself
He said he never wanted a bad thing to ever happen to me again
He yelled at me the day I forgot to carry it in my bra
He yelled at me that same day for trying to say “no” to him
He was proud when I remembered the knife
He was surprised when I held up the knife to protect myself after he broke down the door
He was stronger when he wrestled the knife out of my hand
and showed me in the mirror how you hold a knife
to someone’s throat
MY THROAT
my blood on the floor
He instructed me to clean myself up

I broke a mirror and fled
that wasn’t a dream
it was a living nightmare

I have this dream that I don’t carry all this anxiety
That I don’t have to think of the best ways to protect myself
That I can walk around
and not be so goddamn scared

sbgs cowskull

submit to south broadway ghost society.

maybe i’m in a murakami novel – ghost #62

ghost yard

Maybe I’m in a Murakami novel. Maybe I never got off that train in Japan. Maybe this is enough, I think, as I sit on a subway, contemplating my disappearing cat, my disappearing lover, eating a sandwich, my bags all shuffled like a chaotic orchestra. Maybe there’s death to be had. Maybe there’s morning that has yet to be sipped. Maybe there is a transcendentalism to bingewatching television. I am bingewatching people in the park. I am closing all of the garage doors to my emotional relevancy. Maybe I never left the city. Maybe the city is in me, a creature of habit, half asleep on a train that goes in circles beneath the novel of my moment.

Image result for cat clipart

sometimes a building will not let you – ghost #4

ghost yard

Sometimes a building will not let you
move around itself the way you want:
you feel an architectural punch.

You step over the leaves, & there is a branch
you did not see. You feel it in the back
of your leg, & again feel it for days.

You see a voicemail. You must have missed a call.
There are no missed calls. You cannot fetch
the voicemail. You turn your phone off
& back on again. You will do this again.

sbgs cowskull

submit to south broadway ghost society.

three deaths in thirty seconds – ghost #13

ghost yard

it was over and dead
and the ground produced no flowers.

it was over and dead
the cable cords were cut.
the television looked like a race war.

the fridge was unhumming.

i was dead and buried in the cushions
of the couch.

i was dead and all my poems were dead too.

and it all came in through the windows.
new breath new flowers
new life new love

new angels of electric health.
new standards of electric wealth.
And I screamed back into the wind in a
way that no day could ever forget and it
screamed back and my eyes were the size of life and
my pupils swallowed the sky and I fell down happy on the
couch
and I died,
I died,
I died.

sbgs cowskull

there is an idea of a ghost #13, some kind of abstraction, but there is no real me, only an entity, something illusory.

submit to south broadway ghost society.

eyes – dave owens

x9apT

Two sour faced guards escorted teenager Daniel Warren into the interview cell, shackled him to the metal grommets bolted to the table, and pushed him down into a chair. The boy’s orange prisoner suit did not fit, but someone, perhaps one of the guards, rolled the cuffs and sleeves up so he wouldn’t trip and fall. The lock clattered after the door slammed shut.

To the state appointed psychologist Raoul Hadras, the young man who sat in silence across from him at the table appeared not unlike many of the other troubled youths of this generation – thin, only a few weeks past his fifteenth birthday, a dozen pimples on his face, and expressive brown eyes. A shock of blond hair completed the image.
Daniel murdered his father and mother if the police report proved true. After his arrest, he demanded the death penalty from the court appointed attorney, and created quite a scene in the courtroom when the attorney plead not guilty on his behalf. The judge also thought the demand strange and questioned the boy’s sanity.

Most other youths Raoul evaluated often claimed insanity, and enacted performances that would make movie stars jealous – anything to avoid justice.

Daniel sat with yes turned down, and did not speak.

“May I call you Dan?” The doctor made a note in the evaluation folder.

“Sure. Why not? You wanna find out why I killed my old man.” The boy fidgeted in the chair, but did not try to escape the restraints. “I wanna die.”

“I must determine if you are fit to stand trial.”

“Yeah.” The voice came slow and sullen.

“So. May I call you Dan?” Raoul’s question, fashioned to create a familiar, less formal atmosphere, dated back to the time of Freud. The ploy worked sometimes, but sometimes it did not.

No answer. Raoul tried again with a gentle tone in his voice. “May I call you Dan?”

“I don’t care what you call me. Send me back to my cell,” he snapped back.

“Sometimes circumstances cause us to do things we wouldn’t normally do. Would you please tell me about what happened?”

“He deserved it. Am I done?”

“Not quite. Why do you say he deserved it?” His question probed for anything to free the boy from his defensive shell.

“He beat me and my mother up all the time. When I was a little kid, he’d jerk me up by my arm and whip me with that leather belt of his. I hated the belt. I got whipped even if I didn’t do nothin’.”

“Your mother too?” Situations like the boy described usually meant the abuse affected other family members. Raoul understood the answer.

“Yeah, she got it bad. If she tried to protect me, he’d beat her with his fists. She didn’t tell people what he did, but behind her back everyone talked about her black eyes and the bruises all over her arms, and face. I got into fights with kids who said things about her.”

“Many fights?” The question sought to let deep emotions rise. He made another note in the folder.

Dan avoided the question. “My mother. I loved her. I didn’t kill her like the police said. I didn’t do it.”

“But you did kill your father?”

“Yeah.” His head rolled back and he stared at the ceiling. “Like I said. He had it comin’.”
Trigger point. The father. Raoul wondered what other triggers might provoke Dan to continue his story. “So you blame your father for your crime?”

Dan kept his gaze focused on the ceiling. “Everyone hated him.”

“Everyone?”

His head fell forward and his eyes locked onto Raoul’s face. “Everyone.”

“Please explain.”

The face softened for a moment. “His eyes frightened everyone. One of my friends, Jimmy, came to the house one night after school.” Dad screamed at him to get out.”

“That’s all your father said?”

“Uh, huh. He stared at Jimmy with those cold blue eyes – they could see right through you. When I try to sleep I see them. They’re always in my dreams. I didn’t like to sleep. Neighbors avoided him. They’d go to the other side of the street when they saw him comin’.”

“It’s called post traumatic stress, Dan. He frightened you the night you killed him?”

“I came home from school late. I heard him telling from the street. When I went inside the house everything was broken. Smashed chairs, curtains ripped off the windows. I went into the kitchen. Dad grabbed the refrigerator and threw it on the floor. He swung at Mom and missed, but his second punch hit her in the stomach. She fell down. I went over to her and tried to help, but he grabbed me by the shirt and threw me into the counter by the sink. Then he turned back to Mom. I knew he was gonna hurt her more.”

His eyes smoldered with tears and his head dropped to his chest.

“Relax for a minute, Dan. I understand why you are frightened. I want to help.”

Dan disregarded Raoul’s comment and continued. “I got up and took one of the broken chair’s legs and swung it as hard as I could. I hit him on the back of his head. He turned and started to get up, but I hit him again. I hit him two more times before he fell. I went to Mom. She said ‘Run Danny, run. He’ll kill you for sure if he catches you. Please run. I love you.’ Last time I heard Mom’s voice.” He jerked his head to the side and shook it. His wet cheeks glistened in the light of the single bulb that swung from a wire above his head.

Raoul took a handkerchief from his pocket and went to the other side of the table to wipe the boy’s tears. “Calm, calm. Nobody will hurt you while you’re with me.” Genuine sadness gripped the doctor and he felt his own eyes water. He thought to leave the handkerchief with Dan, but remembered the restraints and realized the pointlessness of such an act. He returned to his seat, sat in silence, while he made a few more notes in the folder.

Dan’s chin fell back onto his chest. His voice lowered and he mumbled, “Found the gun – Dad’s nine millimeter, in the stand by the bed where he kept it, made sure it was loaded, tucked it into my pants, and ran. I went across the street to Mrs. Thompson’s house. Her lights were off. She wasn’t home, so I ran around to the back, jumped the fence and hid under some cucumber vines. I tried to hold my breath, but was breathing too hard.” He swallowed, and waited a moment before he continued. “I thought he might hear my breathing so I crawled over the back fence and ran down the alley. There’s an old wooden shed there. I went in and hid behind some boxes.”

“And . . .” Raoul’s voice faded into a whisper.

“I heard his crazy screams. He was trying to find me. I kept as quiet as I could because I was scared more than ever before. I heard his shoes crunchin’ in the alley gravel. When I peeked through a crack in the wall I saw him standin’ outside the shed, I held my breath and hoped he wouldn’t hear me. I hoped he’d go away. He didn’t. He pushed through the broken door and came into the shed yelling ‘little bastard! I’ll break your neck and piss on you. Come on out coward!’”

The doctor’s voice became sympathetic for the first time since the interview began. “Now I understand.”

“After I made sure a round was in the chamber.” The boy continued as if he could not hold back the story. Tormented words gushed from his lips at a frantic pace. “I crawled out from behind the crates and held the gun where he couldn’t see it. He moved, and I shot him in the chest, but he wasn’t dead.” His voice quieted when he remembered the moment. “I shot him in the head two times, but he’s here with me. I have to die to get rid of him. I want to die! It’s the only way I can escape.”

The softness of the boy’s voice surprised Raoul. “You’ve no need to fear your father. I think you acted in self-defense and I’ll inform the authorities. I see a full life in front of you.” Raoul wrote another note in the folder. “Your father’s gone and he can’t hurt you anymore.” He raised his head and noticed the change in Dan’s eyes.

Cold, ice blue eyes glared at the doctor. “I’m not dead.”

sbgs cowskull

David Alan Owens’ stories and non-fiction works have been published internationally. From Alien Dimensions magazine, the High Strange Horror Anthology, and other periodicals, his audiences are as varied as his stories. He prefers to write science fiction, but sometimes a story of a different genre asks to be written. He lives in Murfreesboro, Tennessee with his wife Ann and his Boston Terrier, Mayla.

Photo: @sweetdangerzack

you rearrange men under the sea with your hands – glen armstrong

SONY DSC
SONY DSC

I take comfort in long lines.
I am not alone.
I pretend

that I’m a prisoner,
grateful for small slips of paper.

The stars belong to bankers.
They are strictly catch and release.

I pretend I’m all sorts of things
that I should never
pretend to be.

My youngest son wants to know
about our progress
and his mother.

sbgs cowskull

Glen Armstrong holds an MFA in English from the University of Massachusetts, Amherst and teaches writing at Oakland University in Rochester, Michigan. He edits a poetry journal called Cruel Garters and has three recent chapbooks: Set List (Bitchin Kitsch,) In Stone and The Most Awkward Silence of All (both Cruel Garters Press.) His work has appeared in Poetry Northwest, Conduit and Cloudbank.

Photo: @richardguest9440