Two Poems | Kate LaDew

Image: Jr Korpa

the worst place to store medicine is in a medicine cabinet

the worst place to store secrets is under the tongue
as they diffuse through the membranes, the capillaries,
bypassing the stomach, the intestines, the liver,
anything that could filter them, dull their potency,
tumbling directly into the bloodstream
filling up everywhere
the secrets that hurt, that bite, that claw,
are less painful than the one that could change everything,
could heal and mend and dissipate all the terrors we live alongside
the secret of loving those whom we do not tell


during WWII my german-born great-grandmother painted a WWI helmet red white and blue

stuffed it with dirt and flowers to match
hung it in her front window
next to the biggest american flag the neighborhood had ever seen
and dared anybody to doubt her
I think about her as I watch men and women
straighten their arms, stretch their hands flat
fingers that never held anything heavier than a cigarette
accusing people who live on the same street
of jobs stolen, livelihoods vanished
the country my great-grandmother held her heart up to,
dripping blood as red as anybody born on its soil,
is not the country I live in, is not, even, the country she lived in
all the things we caught by their tails, hate, injustice,
a constant confusing of equality with oppression,
only seem new to eyes socketed in white skin
a flag as big as the world can’t cover
a hate as deep as an ever-expanding universe
all the galaxies moving away from ours so quickly
no signal we fire, even at the speed of light,
will ever reach them
it’s just you and me, alone together,
and when we die, nobody will know but us


Kate LaDew is a graduate from the University of North Carolina at Greensboro with a BA in Studio Art.  She resides in Graham, NC with her cats, Charlie Chaplin and Janis Joplin.

I feared I was a werewolf | Jericho Hockett

Image: Markus Gjengaar
failed,                                     feral at best,	
stuck between               phases of moon,
my body out                of sync with time
I was                                  promised bliss
with one bite,                        but still I lie	

abed in honey               phlox, sleepless, 
joints aching                   to be shredded,
skin to burst                      as March ides	
march on to                  May’s full flower 
moon and past.                           I passed

for human,                   despite my howl,
the blood                                         curse,
even growling,                    lacking only
fur, claws, sharp            teeth. Reserved
in every form          except of judgment

for what I thought                a werewolf 
ought to be:                    a wound at best. 	
But the worst                        feature was 
my abject desire                   to preserve 	
human remains.                   Until I met

my werewolf’s ghost        carrying scent 
fresh human flesh     on spring breezes,	
in gradual degrees                 shifting my
dimensions                    under all moons,
full,                                                       dark.

Jericho Hockett‘s roots are in the farm in Kansas, and she is blooming in Topeka with Eddy and Evelynn. She earned her Ph.D. in Social Psychology at Kansas State University, but is a forever student. She is also a poet, teacher, and especially a seeker who is most whole in the green–whether in garden, field, forest, or heart. Her poems appear in Burning House Press, Snakeroot: A Midwest Resistance ‘Zine, Ichabods Speak Out: Poems in the Age of Me, Too, SageWoman, Heartland! Poetry of Love, Resistance, and Solidarity, and Touchstone, with more works always brewing.

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This poem is from the Thought For Food anthology,
a poetry collection benefiting Denver Food Rescue.
You can purchase a copy of the book here.

Thought For Food Promotional 1

The Sound of One Howl Howling | Roseanna Frechette

Image: Tuva Loland
To hear the close distance,
your howl, when unable to find
one cold sliver of moon.

I opened warm window.
This frozen stuck body of me
shifting over to what it must be
in a house made of worry
and flammable things.

When survival is one hungry beast
lighting fires fast as
bear claws unleashed
in this box of a house, any house,
to find food, any food, feed
that soul hungry beast
eating sliver of moon
cooling fire on face of a moment
of hard-assed especially sweet stuff, any life.

I listen for line to connection.
Hear hot pulse of warm blood,
surprisingly bright, bursting
through like great wolf
shedding cloak of sheep's clothing
is this, yawping call I can't see, only feel
coming back like a boomerang self
to wild safety, close distance,
raw sound of one howl howling now.


Roseanna Frechette is a longtime member of Denver’s thriving bohemian underground. Spoken word performer and host as well as multi-genre writer, her work has featured at art galleries, rock stages, and festivals including Poetry Rodeo, Boulder Fringe, and  Arise as well as indie publications including Stain’d, Lummox, Semicolon, and Suspect Press. Former publisher of Rosebud Forum magazine, and one of Westword’s Colorado Creatives, Roseanna holds great passion for the power of small press and the beauty of literary originality.

This poem is from the Thought For Food anthology,
a poetry collection benefiting Denver Food Rescue.
You can purchase a copy of the book here.

Thought For Food Promotional 1

After the rain | Sarah Russell

Art: “After a Rain” by Arkhip Kuindzhi 1879
clouds still roil, dark as wraiths 
who invade my sleep.  A shaft 
of light pierces their folds, brightens 

the field where cattle graze 
as though the storm never bruised, 
as though they never bawled, eyes flashed

with lightning.  They have forgotten, lower 
their heads for grass made sweet again,
while I still feel the drench, remember
 
how thunder crippled me with dread, 
how I flattened my soul against the earth 
to escape notice by the gods.

Sarah Russell’s poetry and fiction have been published in Kentucky Review, Misfit Magazine, Rusty Truck, Third Wednesday, and many other journals and anthologies. She is a Pushcart Prize nominee. She has two poetry collections published by Kelsay Books, I lost summer somewhere and Today and Other Seasons. She blogs at SarahRussellPoetry.net.

The Uncertainty of Our Futures | Caleb Ferganchick

Image: United States Geographical Survey

sweltering hour
beads of sweat lick
my sunburnt nape
paddle and soap dish in hand
off some nameless bank
I slip into the Colorado

the Grand
the Rio del Tizon 
the Maricopa 
the cool lifeforce 
of this southwest desert 
as easily as I do 
into freshly washed sheets 

naked 
embraced
sweet surrender 

(I’m still working
on surrender) 

the Colorado, he/they and I
have rinsed ourselves 
our bedrocks 
of many a lover 
many a male admirer 
like John Wesley Powell
like the first time
I skinny-dipped kissed
the first boy 
I thought I loved

I don’t find it outlandish
to suggest the Rio del Tizon
branded flaming by colonizers 
is a he/they gay 

reject the stubborn American West
its invasive cis-het
white male explorers 
naming monoliths [ego]
bodies of water [conquests]
assaulting the feminine [recreation]

if the Maricopa
is to be called she
let it be by reflection
by her own accord
as he/they is with me
on this board
cutting through this spectrum
an exercise and practice
of self-love at once 

we try and keep things caszh
this river and I
too thin to plow
too thick to drink *
if you know what I mean 

we both know
this flight of fancy is seasonal 
an afternoon delight 
a summer fling
sure to wash out 

around this bend 
I look for coupling trout
whose rippled darts 
fleeing my invasion of their coitus 
promise the end 
of my own courtship 

I have always struggled 
with commitment 
even when I cannot tell us apart 
submerged in him/them completely 
there is peace I won’t grant myself 

as surely as my head
will break the surface 
I will eddy out 
return home to routine
to khakis and button-ups 
to commutes and spreadsheets
and plastic promotions  

he/they/I/we will be 
just another commodity 
to bottle
given back empty 
at a cost
as potential 
for tourist development 
as a force that’s agreeable 
when diverted 
and funneled, reshaped
into productive 
efficient pools of labor

into anything 
that’s not wild 
and free and roaring 
to California 
to an ocean of love 
that doesn’t know the meaning 
of binaries and borders 

the nature of our familiarity 
our temporal sojourn
privy only to that 
voyeuristic heron
our downy stilt-
legged fortune 
is not about the permanence
of our gender but

the uncertainty of our futures

* commonly attributed to Mark Twain (to “the Mormons” by Edward Abbey) but unconfirmed by this author 



Caleb Ferganchick is a rural queer, slam poet activist, and author of Poetry Heels (2018). His work has been featured and published by the South Broadway Ghost Society (2020), Slam Ur Ex ((the podcast)) (2020), and the Colorado Mesa University Literary Review. He organizes the annual Slamming Bricks poetry slam competition in honor of the 1969 Stonewall Riots and coaches high school speech and debate. An aspiring professional SUP surfer, he also dreams of establishing a queer commune with a river otter rescue and falconry. He lives in Grand Junction, Colorado.
Website | Instagram | Twitter

Two Poems | Cheryl Aguirre

Image: Will Turner
Vision

If a giant squid
Were to breach the waves
To observe the night sky,
Her eyes unaided
Could see past Neptune
To the dwarf, Pluto.
Not a corpse,
She is neither
Crushed, maimed, or compressed.
Her delicate skin
A shimmering silver, intact,
Flashes when she undulates. 
Her eyes, dinner plate big,
Her three hearts, beating
Slowly, restfully.
A winking silver coin, 
She drifts below,
Sauntering to the deep,
To the black water,
No different than space.


Mountain

I write you shorter.
I write you smaller
I write you fetal
I write you shivering
I write you intimidated
I write you alone
I write you into the background
I write you silent
I write you stunned
I write you fat
I write you tall
I write you muscular
I write you thin
I write you quiet
I write you stoic
I write you extroverted
I write you self-conscious
I write you at peace.

Cheryl Aguirre is a queer biracial poet based in Austin, Texas. You can find their previously published work in Ghost City Press, decomp journal, and The Whorticulturalist. You can follow them at @drowsy_orchid on Instagram and @Wheat_Mistress on Twitter. 

Not Human Hearted | Brian Rihlmann

Image: Glen Rushton
often, in the wilderness 
I recall the words—
not human hearted

a hungry mountain cat
stalks a lost child
vultures await the scraps

the horror of these
less-than-human hearts—
yet what of those?

unearthed shattered skulls and
the pages of history tell their story
even the good book drips

and before that, nothing—
a silence into which, like mothers,
we scream an Eden to life

Brian Rihlmann lives and writes in Reno, Nevada. His work has appeared in many magazines, including The Rye Whiskey Review, Fearless, Heroin Love Songs, Chiron Review and The Main Street Rag. His latest poetry collection, “Night At My Throat,” (2020) was published by Pony One Dog Press.

Now March Melts | Cassie Hottenstein

A close-up of sage green grass and amber leaves glistening with frost.
Image: Herr Bohn

emerge from winter cocoon
into daffodil spring,
the cracking of bones & ice
and the slush slipping from pine—
the yawns & shhs emerge—
duckling dawn
earth cleans her scars this way:
lifting & washing under the folds,
fresh cotton flapping like a surrender
to the restarted zodiac,
to the irrational golden fleece of Aries
unshaven despite the warmth—
how the tides deliver a new salt to upper lips,
an emerging, a dusting out
of all coughs cooped by winter;
the pages aren’t clean, the pages aren’t even pages,
they’re still trees,
still grand along the yet-unbroken sky !
the pinnacle of her year
exists in cool mountain runoff
the blue dunk & minnows
along curious toes after a long creek-side stroll,
the relief of the stretch
and the new dogwood petals that ferry their way
to a better tomorrow,
to a brighter ocean shore.


Cassie Hottenstein is currently between Denver and Jacksonville, mountain and ocean. Her poetry and stories have been featured in magazines such as Boulder Weekly, the Talon Review, Every Pigeon, and the Tampa Review Online. When she’s not writing poetry, she’s probably playing Animal Crossing or doing someone’s taxes in exchange for money and tasty peanuts.

To Fly Away From Iowa Springs | Carson Schulte

Image: Adam Przeniewski

I remember being seven years old and still loving Iowa spring, believing it to be all cheap gingham and wild onions sprouting. But as I grew I learned that to be a child in promised Iowa spring is to feel sentimental and uneasy. We would return to patterns marking the nurturing rhythm of time familiar: full brush piles, vinca vines blooming, cicada choruses at sundown, lilac bushes spilling over. And with these easy April lullabies came those subliminal spring hints, trailing towards adolescence, hidden in the blossoming, the ripening. Spring pushed childhood forward; we all became wiser when the monarchs returned north. When the soil thawed from months of winter frost, I would kneel in my garden, rusted trowel in hand, knees muddening while I ripped through roots, sent worms wriggling. Trying to dig a hole deep enough where I could hide from spring and remain a child forever.

One day while I was digging I spotted through the soggy loam a flash of moonwhite, smooth and still. It was a perfect stone of life, a bird’s egg whole and glowing. The egg remained cupped in my care for over a week, placed in an old shoebox under the lightbulb of a table lamp. Every day I checked on my dear April lullaby, waiting for it to hatch, and I announced to everyone the news of my beautiful egg, my baby bird-to-be. When I told my elementary school teacher, she invited me to bring my treasure to share with the class. I knew my classmates would be so envious of the springtime life I carried, and I so packed my little egg to bring to school with me the next day.

I wish I had known how fragile those little stones of life tend to be. It seemed that all the resilience of my bird-to-be was spent fully on its fall from the nest. Certainly not enough left to survive a ziploc bag inside a child’s backpack. When I went to my cubby to get my egg, I slowly unearthed a sickly yellow mess. I held my ziploc high to examine the moonwhite shards, jagged and crumbled, yolk lumping thick in between. I shoved it away and went to the bathroom to cry. To mourn. I had killed my April lullaby, my cheap gingham and wild onions sprouting.

Seasons don’t slow for a shattered bird’s egg. Iowa spring kept passing through; each year the monarchs would return north, and I would cry at their beloved homecoming because I didn’t want to get any wiser. Yet my body grew too big to fit inside any dug up garden holes. I could not stop the blossoming, the ripening; springtime would come to welcome my first training bra, my first kiss. The uneasiness of Iowa spring paired cruelly with the sweet smells of chopped lilac in the kitchen vase, a vision of childhood sentiment. And in the thick of that tiptoe towards adolescence I would think back to my precious egg, imagining a world where it had hatched. I dreamt of my bird growing radiant and strong, big enough to carry me away, so that we may leave spring behind and fly forever towards Iowa winter, chasing those months of still and freeze where life remains unchanging.


Carson Schulte is a senior at Luther College studying social work and Spanish. She grew up in Iowa and recently moved to Denver to complete her social work practicum. On days off from her internship at a child residential treatment center, Carson enjoys knitting, baking, and snuggling with her cat. She is an emerging writer in the field of creative nonfiction, with work forthcoming in the Oneota Review. 

Dreaming in the Kingdom of the Ants | Jason Ryberg

Image: Peter F. Folk
It would seem to me

             that in the vast
                            underground kingdom

              of the anthill, along
                                          with burrowing and
                       tunneling, heaving and
hoisting, fending off
                            outside invasions down
                      to the very last ant and

conquering rival kingdoms
                                    with no mercy (and all
         the various other assigned

   	     tasks and roles from the
       home office / H.Q. of
                                   the collective hive-mind),

   surely dreaming must,
                                     also, be an 

                      essential

                              civic duty.

Jason Ryberg is the author of thirteen books of poetry, six screenplays, a few short stories, a box full of folders, notebooks and scraps of paper that could one day be (loosely) construed as a novel, and, a couple of angry letters to various magazine and newspaper editors. He is currently an artist-in-residence at both The Prospero Institute of Disquieted P/o/e/t/i/c/s and the Osage Arts Community, and is an editor and designer at Spartan Books. His latest collection of poems is The Ghosts of Our Words Will Be Heroes in Hell (co-authored with Damian Rucci, John Dorsey, and Victor Clevenger, OAC Books, 2020). He lives part-time in Salina, KS with a rooster named Little Red  and a billygoat named Giuseppe and part-time somewhere in the Ozarks, near the Gasconade River, where there are also many strange and wonderful woodland critters.