Tag: poems

two poems – sandra santos

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santos

have you ever asked a butterfly
if flying once transformed is hard
and how much weight is lost meanwhile
the wasteful creaking of the world’s skin
the copious slash on a piece of blow
pushing your smile through the night
— you belated hour end a cycle
music is the dawn
you trace in my way of surrendering to sleep
the remembrance that fills my heart with a sudden longing
to have you here someday
lightly
unveiling the beauty
of our flight
that heads to silence.

nunca perguntaste a uma borboleta
se lhe custa voar quando transformada
qual o peso largado no voo
e é custoso o ranger de pele do mundo
o corte copioso sobre um pedaço de sopro
movendo o teu sorriso pela noite
— ó hora tardia que findas um ciclo
a música é a aurora
que traças no modo de me abrir ao sono
a lembrança que traz ao peito um súbito desejo
de te ter aqui um dia
já leve
desvendando a beleza
do nosso voo
rumo ao silêncio.

–

if I were a dagger
I would drop
the blade
every day
on the wet grass
until it came back
in blossom.

se eu fosse um punhal
deixaria cair
a lâmina
todos os dias
na erva molhada
até ela regressar
em flor.

cropped-dead-bird-clip-art.jpg

Sandra Santos is a poet, teacher, writer, and translator from Portugal born in 1994. She holds a B.A. in Languages and International Relations from University of Porto and got her Master’s degree in Editorial Studies at the University of Aveiro. As a translator, she has published her work in Portugal, Spain, and Latin America, working back and forth in Portuguese, Spanish, and English. Her own poetic work can be found online at: http://sandrasantos-ss.blogspot.pt/.

Prepared and translated by Nicolás Barbosa López

Photo: Claire Brear

 

NEVERS – angelo colavita

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nevers

…never as cold as alone
…never as grievance as cowering
…never as erstwhile as while away
…never as milk as apology
…never as pointed as silent
…never as sentient as salient
…never as cause as roundabout
…never as hiccup as dying
…never as frogs-hop as toad-croak
…never as ordinary as chemical burn
…never as prescribed as diaries
…never as ocean as beginning
…never as lost as ocean
…never as poem as breathing
…never as cost as cat’s pajamas
…never as love as never
…never as sometimes
…never as nevermind
…never as fact as daydream
…never as bird as poem
…never as whole as posturing
…never as skinny minnie as loosie-goosie
…never as punk as monks and monkeys
…never as goth as a grandmother
…never as metal as hedge nettle
…never as entropy as dystrophy
…never as end as cluster
…never stars

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Angelo Colavita is a nihilist and experimental poet living in Philadelphia, where he serves as Founding Editor of Empty Set Press and Associate Editor at Occulum Journal. He is the author of two chapbooks, Flowersonnets (2018) and Heroines (2017), with work forthcoming or appearing in Pigeon Anthology 2, Dream Pop Journal, Prolit Magazine, Breadcrumbs, Luna Luna Magazine, Yes Poetry, Be About It Zine, and elsewhere online and in print. Follow him on Twitter @angeloremipsum and on Instagram @angelocolavita   

Photo: Samuel Zeller

three poems – rebecca kokitus

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deer

sagittarius

the music of his teeth grinding
isn’t enough to lull me to sleep

there is a draft in the room, there is
a freedom in letting yourself shiver

I think your ghost would be a fever
leaving dew on my flesh

I keep picturing your parents
finding you

the guilt flickers on my eyelids
you told me you were so tired

I told you sleep
I told you sleep

I pray to whichever deity will
have me

pray to the goddesses you favor
to hold you to their breast

on Sylvia’s birthday you chose
rope over the kitchen stove

but your throat refused to collapse,
your neck contorted

like a waist
in a corset

your sigh pushed through
like fire, like dragon breath

 

die clean

I woke up this morning and
weighed one thirty-one (point seven)

I stand in the mirror, hair creeps
from the sides of my underwear

like ivy through a window,
cobwebbed skin

like a bruise you were
just starting to forget

blue veins spider-step
over hips and breast, threadbare

dead girl, no rigor mortis
I am still so, so soft

and pockmarked like a
plush moon in a picture book

she tells me “you’re beautiful
but you should probably eat something”

I say let this body feed on the
broad shoulders, spineless back

I know I’m normal, I know
I’m like everyone else—

I wash my mouth out in the mornings
and forget to at night

cut anyone open and find
only one heart, find yesterday’s shame

I am not an animal, I am
not otherworldly

I will repeat this until
it is true

 

future plans

I consider my future
the way a deer
considers the hunter

I’m so afraid of dying
that I’ll throw myself
through a windshield

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Rebecca Kokitus is a poet residing in the Philadelphia area. She has had poetry and prose published in various journals and was nominated for a Pushcart Prize in 2018. Her poetry chapbook, Blue Bucolic is forthcoming from Thirty West Publishing House in 2019. You can find her on Twitter and Instagram at @rxbxcca_anna, and you can read more of her writing on her website: https://rebeccakokitus.wixsite.com/rebeccakokitus.

Photo: Sebastian Grochowicz

“die clean” is in reference to Thinner, a novel by Stephen King.

two poems – victoria moore

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candy

I HAVE A LOVE-HATE RELATIONSHIP WITH PLANNED PARENTHOOD

purgatory has a purple accent wall
where outdated times
chime me too
in grim agreement with
messages preaching
planning as solemn power
smear piss and pricks
of blood
the pretended portents of modernity
we come to calm infernos
hearts in hand
ripped bloody out of wounded chests
since a slaughter succeeds the fairy tale
starry eyed notions of invincibility
stricken before the scales

 

 

SWEETTART

I like waiting rooms with complimentary candy
get us to forget the float
how we drift
buoys untethered through a living supposedly
linear
hum a schoolyard taunt
first comes sex
next comes death
finally you get your white picket fence
hold in breath bated by the immemorial
war drum of suburban America
if you’re lucky the upgrades an Audi a3
and he’ll smile over more than a drink
we hear the chant in our socially collected cerebellum
that this progression is not up for debate
at this month’s city council meeting step
back from the podium shrills the superintendent
and fall
back to involuntary lines
we were born in rank
in the back
of a Walmart wound up
by blinking exit alley signs
point us deep through mirrored mazes
my neuron tangle goes
national
grid
electric
cus waxed paper is decked out with
juicy, shiny, bright, hot
watermelon
dum dums I always liked
consumption in a way
suggestive
of sex with childlike affinity

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Victoria Moore is a poet, student of history, and museum professional. She is currently finishing her MA in History and Museum Studies at Tufts University and hails from Chelmsford, Massachusetts. You’ll most likely find her nestled in library alcoves reading up on medieval popular religion, wandering through New England forests, or grabbing Dunkin Donuts like a true Yankee. 

Photo: Sharon McCutcheon

five poems – homeless

~ South Broadway Ghost Society ~ Leave a comment

homeless

i.

The man standing
next to me on the A train
keeps taking off his sneakers
& then putting them back on
& then taking them off
& then putting them back on.

He’s either shitfaced
or just really misses/likes
the sight of his socks.

ii.

I just noticed that
his socks have little,
yellow ducks on them.

It’s really
anyone’s game
now.

 

 

 

 

 

Your greatest achievement in life
was that sand castle you built
by yourself when you were
five years old.
Not because the sandcastle
was awesome
but because of the simple
yet massive amount of joy
that building it brought you
even though you knew
sooner or later
some high tided, son of a bitch-wave
was going to come along
& destroy it.

 

 

 

 

 

She moved through 7-11
like music being played
from a harp that someone
found in a dark alley
& she wore her “bag lady” coat
as if it were lacy black lingerie.

I wanted to give her
the s’mores Pop Tarts
I was standing in line to buy.

Kind of like a chocolate-frosted
“thank you” to her
for just existing.

 

 

 

 

I used to get offended
when people stared at me
like some unattended backpack
but these days I just walk up to
whatever person I see doing this
then lean in close to their ear
& whisper,

tick,tick,tick,tick,tick,tick…

No one stares at me
like an unattended backpack
after that.

They stare at me like
I’m something else.

Something
I actually
am.

 

 

 

 

 

The housing-impaired man
lived in a big cardboard box
right outside the downtown R & W
28th street subway entrance.

That was his home.

There was an empty Coors Light can
standing on top of his box.

It looked like an aluminum
chimney.

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Homeless is a shithead laureate / crap artist who publishes poems and hangs “art” on the streets & in the subways of NYC. The streets & subways of NYC both hate his poems & art & have begged him to stop but Homeless refuses because he has “nothing better to do” with his time. He has two books forthcoming—“Ghost Crumbs,” a collection of poetry (University of Hell Press), & “This Hasn’t Been a Very Magical Journey So Far,” a novel (Expat Press). If you’d like to reach him, you can find Homeless nestled on the virtual streets of obscurity at… Instagram, Twitter.

on bones – shelby yaffe

~ South Broadway Ghost Society ~ 1 Comment

sweat.jpg

If I could give you the beat
I think King David danced to
I would use my rib bone as
my holy drumstick, my skin
pulled taut to be my drum, taut
like women pull at their flesh
in the mirror when they cry

If I could give you a boat
hewn from my own clavicles
bound with red cord, mortared with
red lipstick, I would let you
laugh and jump in the water
and I would glow when you called
my bones useful, sharp, precise

If I could give you my bones
weapons brittle and moonlit
with sewing needle scratches
the flaws of a blood diamond
I would say, Bones do not cry
Bones have no mouth to open
when they scream into the grave

moon

Shelby Yaffe is a queer author, poet, and singer-songwriter living in Denver. Her short fiction has been featured in the Fast Forward Anthology Flash 101: Surviving the Fiction Apocalypse and in Suspect Press. Shelby would love to write a poem for your girlfriend. You can find out more about Shelby and her work at shelbyyaffe.com. 

Photo: Jay Halsey

our faithful, reckless hearts – jessie lynn mcmains

~ South Broadway Ghost Society ~ 1 Comment

reckless

even yr ghost is shitty. no crisp bleached linen sheet ghost,
no         lingering

scent of lavender. you fly in here stinking of schwag &
cheap as shit        beer. so

dirty yr shiny. frayed as a patch on a crust punk’s bum flap. even
yr ghost

needs punching but my fist’d just float. right through ya. i
think about you          more

now than i did when        you were alive. did you know. i
donated some copies

of my zine to that raffle. they held in yr name. for yr
memorial fund. to give          to yr

kid. you fucking asshole, you had a kid. i keep reliving the times
we met.

everything you did and said. that pissed me off. like that night in
the crowded          apartment.

christ, it was 4/20. did you know. at first i thought you were
cool. we all shot          gunned

blatz n’ turned the empties. into weed pipes. all stoned & drunk
on the cheap

shit. everyone talking about party drugs & butt sex. you
were the only other         fucker

in a battle vest. all studded & sloganed. patched & poked. the
conversation

turned to Wisco punk rock. we namedropped. back & forth.
Avoided, Pistofficer,                   even

that real old school shit. Die Kreuzen, Sacred Order. but by the
time I

mentioned Boris The Sprinkler. you had yr dick           flag
flying. you said           they don’t

count cuz they’re pop punk. pop punk is for girls & fags. well
I’m a girl & I’m

a faggot, I should have. didn’t say. tried instead to ignore
ya. later you        said

something like it’s gross when chicks don’t shave. I had glitter
in my armpit

hair. wanted to rub yr stupid face in it. I went out to the kitchen.
so I wouldn’t           strangle

ya. asshole, when I found out you were a dad I was like,
ugh, I can’t believe

a chick would even touch you. except to kick yr ass. ugh. to
think of all that         toxic
nonsense you were passing on. & that other night. you
smashed a rotten

pumpkin on the downtown sidewalk. in front of the bar we were
stumbling                   out of.

juvenile move, delinquent. like you were twelve, not thirty-
two. someone

coulda slipped. n’ you left it for the local business owners to
clean                 up. later

I heard the owner of that bar was a creep. so I forgave ya.
but knowing you

it wasn’t any kind of righteous. just mayhem. asshole. when you
followed                  me

on Instagram & liked my selfies. I texted L. ew. guess he
doesn’t know

I hate his guts. it was kinda funny that you dug me. in my
Ramones shirt. since you          hated

pop punk so. much. after I heard you’d killed yrself. I felt
no vengeful,

not joy. just morbid. curious, I visited yr Facebook. yr last days
you devolved,         dissolved

into paranoia. afraid of yr own shadow-self. sure the world
was out. to

get ya. so now yr shitty ghost just haunts. me. annoying me with
might-have-beens.          buddy

if I hadn’t loathed ya we would’ve. been best friends. we
are. we were? the

same. ever-reckless. drawn to self-demise. faithful only. to the
tools of our                  destruction.

holding the whole world. at arms length. convinced no one
would ever. for real

love us. the only thing that saved me. is praising. my tender.
loving my holy          wounds.

there are so many. things I should’ve asked ya. like hey
asshole, why. did you

do it. like, hey. what did you want. what wounded yr most.
secret, heedless                  heart.

that you wouldn’t. let yrself. ask for. if you’d just painted.
yr nails sparkle

pink n’ let a girl. peg ya while you listened to pop punk. would
you still be          here.

it’s been a year. now. if I could find yr grave I’d slamdance
on it. I’d bring

grave goods. leave offerings. of glitter. & pumpkin guts. I’d
come with my                  spray

paint & leave you. slogans. 666 world is a fuck. born to die.
young. too

late. damn you. we were the last. living punk rockers. now yr
dead &          I’m just

a poet. asshole. i wanted to punch ya. but I didn’t. wish
you. ghost. fuck

you. who am I gonna argue about. music with. now?

moon

Jessie Lynn McMains is a poet, writer, zine-maker, and small press publisher; a collector of souvenir pennies and stick & poke tattoos. Their words have recently appeared or are forthcoming in Barren Magazine, Philosophical Idiot, The Ginger Collect, Sad Girl Review, ISAcoustic, Cauldron Anthology, Anti-Heroin Chic, and others; they’re also a contributing writer for Pussy Magic. You can find their personal website at recklesschants.net, their press at boneandinkpress.com, or follow them on Tumblr, Twitter, and Instagram @rustbeltjessie

Photo: James Sutton

the poet who keeps a stripper pole in her bedroom – michael brockley

~ South Broadway Ghost Society ~ 1 Comment

to the girl
I am drawn to your poems about women in barfly Nirvana. Your fascination with rattlesnake tattoos on the arms of PCP-stoked men. And your lifelong feud against nuns: Sister Eleanor of the Lash, in particular. I stand in awe of your courage when you challenge her Inquisition zeal. Barbed wire encircles your ankles. A primitive rose winks above your right breast. I have your initials branded on my wrist. When you blow your harp, the blues man Deaf Persimmon Fillmore rasps back. You installed a stripper pole in your bedroom for your lovers. Added a Hohner tat under the Chinese character for paradise across your back. And studied with the masters. In The Lives of the Diva Poets, I read you never wear jewelry anymore. Or perfume. Just biker jackets over tank tops and ripped designer jeans. When Sister Eleanor reappears on Mulholland Drive armed with her ruler and the vengeful God of Revelations, you taunt her into a duel. Her tuning pipe against your Fuego Azul. She doesn’t stand a chance. I met you in your Lucky Strike year over a bacon-and-eggs breakfast in a town renowned for labyrinths. You autographed a book with “last call” on the cover. When you play the harmonica during poetry tours, frat boys sit in the front row. You advise them to deep ink Betty Boop on their biceps. They want to hear you say fuck. I want to hear you recite the poem that tells what women want.

moon

Michael Brockley is a pseudo-retired school psychologist who still works in rural northeast Indiana schools. His poems have appeared in Clementine Unbound, Third Wednesday and 3Elements Review. Poems are forthcoming in The Blue Nib Magazine. In regards to social media, Brockley can be found on Facebook.

Photo: Naomi August

cutting bones – morgan leathem weiss

~ South Broadway Ghost Society ~ 1 Comment

bone

They cut bones
while their lover saws coconuts.

Lining them up against the brick wall,
there is nothing for the sun to bleach.

Tinny, tenacious shrieks
pierce the air and emit an aria.

Metallic, it leaves a poor taste on the tongue,
the kind of putrid fur no scraper can peel.

The sound of bones primordial
against a backdrop of bold, fuzzy shells

hangs over human heads,
calculating, ruminating, no other than a bored specter.

One person struggles to find meaning,
but is left with the other cradling the saw.

Trapped within the jungle’s fury,
even the bones are not themselves.

moon

Morgan Leathem Weiss is a writer and folklorist from the Midwest. Her poetry has appeared in The Raven’s Perch, Really Serious Literature, Ghost City Review and is forthcoming in Clockwise Cat, while her essays have been featured in Jadaliyya and Folklore Thursday. When she is not interviewing archaeologists, she enjoys podcasts, experimental film, and exploring ruins. She splits her time between Oaxaca, Chicago, and the forests of Connecticut.

Photo: @zellersamuel

where the color gets out – ghost #4

~ South Broadway Ghost Society ~ 1 Comment

where the color

That person is a tight furrowing.
We are doctors of light, cauterizing
the wounds where the color gets out.
There are people who want to eat
your color. My last partner said,
half-eaten is eaten, & she was disbarred.

Having your color eaten by night wolves
is a subsequent inevitability: a sentient
outpouring of colorlessness. Everything wants
to eat. It’s gone before I look around.

cropped-ghost-january.jpg

Photo: Nick Sarro