the heater whines like exhaled helium skillet griddles shredded refrigerator potatoes I am quiet enough to enjoy each individually because you are sleeping in the bedroom where an oscillating fan barriers sound between us. I nearly lived a careless life with sails billowed by lies I love to tell myself when days were difficult and outnumbered the free form ones. I unfolded myself face down into stovetop lavender syrup, salvaging homework on a Sunday night, saving what I can for last while embracing what is daily laid at my feet. I love my life despite the overly dramatic gun I hold by my head, pointed somewhere in between a direct hit, a grazing knick of the skin, and a Catalpa tree strung by bean-based icicles dangling from the branches like wind chimes tuned to pitches meant for other creature ears. Beside me are thin cushions that don’t stack well enough to tend to my posture. Yesterday I passed in and out of registers like large bills in residence within a rich neighborhood’s mall. This morning I am seven cents on a wooden window sill, available to so much eyesight, yet left so unbothered.
Jeff Stonic (he/him) is a Denver artist writing poetry, performing and producing standup comedy, and image-making with photography and videography. His poetry has previously appeared in pan pan press and Eunoia Review.
She is the peddler at the end of our dreams, With a beautiful surface.
The dance of the morning, where gentle sight abides.
The feast of clear color with smiling song and form.
The sight that sees beyond the sea And the coming home of the fishes.
The song of the kindly living, And the coming home of the lovely breeze.
Steve Anc is the son of Ajuzie Nwaorisa, a Nigerian poet. He is a poet with searching knowledge and deep meditation on universal themes, he is quite a modern poet in his adherence to language and his use of metaphor is soul-searching. Anc’s works have been published in Open-door Poetry Magazine, Poetrysoup, Goodlitcompany, Voice From The Void, Our Poetry Archive, I Become The Beast, Fire Magazine
are silent films slapstick and melodramas
projected onto old white sheets hung
inside her skull If she wants a sound track
she has to create it herself
Memories blur and emulsion molds
even on precious 35mm Kodachrome slides
evidence of her family her childhood
her dogs Lassie and Bambi
She squirrels letters photographs clippings
opera programs museum tickets trip itineraries
in 8 x11x 4 inch boxes on shelves in her study
She can’t remember what’s in the boxes
Who cares what’s in the boxes –
a memento is not the memory
Memory requires mind electrical waves sweeping
over the cortex sweeping cobwebs from corners
swapping one year with another one face with another
flux of memory trails through forests of fact and fiction
Memories do not stay stacked neatly in boxes
but dribble foam seep sublime onto the rug
into corners over window sills flow down
the clapboards on the side of the house
They trip her up when she goes outside to water
the garden Tigers of grief pounce when her back
is turned Sudden tears on the anniversary of her
mother’s death even though it was more than fifty years ago
To look back is to flirt with becoming
a pillar of salt but says Letitia
with a shrug it adds needed flavor
to whatever I’m stewing in today
Sylvia Byrne Pollack, a hard-of-hearing poet and former scientist, has published in Floating Bridge Review, Crab Creek Review,The Stillwater Review and many others. A two-time Pushcart nominee, she won the 2013 Mason’s Road Literary Award, was a 2019 Jack Straw Writer and a 2021 Mineral School Resident. Her debut full-length collection Risking Itwas published by Red Mountain Press (2021.) Visit her at www.sylviabyrnepollack.com
One day our bodies
won’t work this way—
won’t fit together
coaster on tracks,
ride rise fall plummet
leaning back to
There might be
A neat row of teeth
soaking in solution.
Bones so arthritic
they can’t bend
towards each other.
I will reach
Talya Jankovits’ work has appeared in a number of literary journals. Her short story “Undone” in Lunch Ticket was nominated for a Pushcart Prize and her poem, My Father Is A Psychologist in BigCityLit, was nominated for both a Pushcart prize and The Best of the Net. Her micro piece, “Bus Stop in Morning” is a winner of one of Beyond Words Magazine’s, 250-word challenges. Her Poem, “Guf” was the recipient of the Editor’s Choice Award in Arkana Magazine and nominated for the Best of Net. Her poem, A Woman of Valor, was featured in the 2019/2020 Eshet Hayil exhibit at Hebrew Union College Los Angeles. She holds her MFA in Creative Writing from Antioch University and resides in Chicago with her husband and four daughters. To read more of her work you can visit www.talyajankovits.com, or follow her on twitter or Instagram @talyajankovits
a broken- window wind and these flutters of unsettled evenings, pushing elbows through shelves in a second- hand bookshop.
pages flutter wildly, falling wide open – flags flying to signal all nations.
DS Maolalai (he/him) has been described by one editor as “a cosmopolitan poet” and by another as “prolific, bordering on incontinent”. His poetry has received eleven nominations for Best of the Net and eight for the Pushcart Prize, and has been released in three collections; “Love is Breaking Plates in the Garden” (Encircle Press, 2016), “Sad Havoc Among the Birds” (Turas Press, 2019) and “Noble Rot” (Turas Press, 2022)
If I am going to be a poet I had better stop chatting with the homeless fellow at the Shell station on the corner. I had better pour my coffee into the most insulated of all the metal cups with the most securely sealed lid engineered, credentialed so that I don’t spill any coffee in the car and I had better not dream too big before I decide to move on and forget myself I had better not scream about it and wake myself up
The bus will take you to a place where you have been before but cannot seem to find. Where the leaves are starting to turn and the cool breeze herself tumbles down the mountain wearing a yellow turtleneck. Dancing across the road, she approaches to give you the most amazing gift: the color orange. Twist it between your fingers turn it red, against your heart like when you were a kid hands flung out the window cold air rushing between each finger soft fleece on your skin. When you become a tree, how tall will you be? She asks, gently swirling beneath the canopy admiring the blue sky. When you become a tree, what will you teach me? Smiling, she bends her arms back in time, fluttering at the edge of the sun curling up into a memory dotted with warm light.
Julie Oldbury is a writer, musician, and corporate boss bitch living in Denver, Colorado. She studied English and Creative Writing (Non-fiction and Poetry) and Visual Art at Northwest Missouri State University in Maryville, Missouri. While an undergrad, Julie’s literary thesis explored connections between modernism, abstraction, and gender across the works of Virginia Woolf and Pablo Picasso. She was an editor of the student publication, Medium Weight Forks and a promotions employee of the NWMSU Visiting Writers Series. She earned a graduate degree in business from the University of Houston and currently works in the data insights and security software industry as a part of the Denver and Boulder tech community. Upon moving to Colorado in 2018, Julie rediscovered her excitement and passion for writing poetry. Inspired by her surroundings, her growing relationships, and the global landscape, Julie is in the process of compiling her first body of poetry and is actively seeking to publish her work in independent and avante-garde journals.
Teaching my (step)sister to smoke in the Taco Bell parking lot
We smoked first, remember? I thought
the tacos would cover our breath,
rolled the windows of the Mustang down,
opened the moon roof to look at the stars.
We were so young, then – summer before
your junior year. I’d just bought my first Docs,
wore baby doll dresses. Looking at the sky, I
wondered if this was sisterhood, if we finally
melted our lives together, if I had a shred
of what you had with your blood sister–if the
Marlboros, the tacos, the sky, the way we passed
our cigarette back and forth–if this was sisters
but no, it wasn’t the smoking, it was the drive-thru
fight when I forgot the mild sauce, when I backed up
the car, when I nearly hit the car behind us,
the way you yelled and laughed,
it was later when you rocked my daughter through the night
while I slept nearby, exhausted, it was later still
when you packed up your life to move home
after we learned our father was dying,
it was in the ICU when we shared earbuds
the night before we said goodbye to him,
the way our heads came together, tethered,
hospital curtains open, the way the stars
Monica Fuglei (she/her) currently teaches in the Department of Composition, Creative Writing and Journalism at Arapahoe Community College in Littleton, Colorado. A 2019 Pushcart Prize nominee, her work has recently appeared in Mason Street Review, a thin slice of anxiety, and The Hidden Peak Review. When she’s not writing or teaching, she’s usually knitting or tweeting on #AcademicTwitter.
Barefoot and listening to Fiona Apple, feeling as eternal at 33 as I did at 9 years old, at 12, just as likely for every emotion I have ever had to destroy me or vitalize me, just like every feeling is a Grand Canyon, barefoot on the gravel that is every stripe of red that music has ever made me relive, invincible and vulnerable at the edge of realizing that a chasm is beautiful because of what it exposes.
Mickey Thompson (she/they) is a poet, biologist, and teacher who grew up in Arizona and has now found her heart home in Northern Colorado. Their work has appeared in “Multiverse: An Anthology of Superhero Poetry of Superhuman Proportions” from Write Bloody Publishing, and one self-published chapbook that was stapled together on the arm of a couch in Tucson.
lately done, lately love ‘neath garlands neatly trimmed nearly featureless, without tethers or hands fastening to a pledge of allegiance they cannot keep, to a creator who spun the trees like screws before the sign off scene, like polished high heel shoes
lately done, lately love with timid approach to cuckoo clocks dipping beaks in sanded hours, our end left with a note that will oil from skin with us, vinyl and wood, needle and mud could forget the impression made without the guesswork of carbon dating
lately done, lately love no fruit will fall from the mail ordered apartment gardens, boxed up dirt and seed seen indirectly like one another, decomposition composed alone to conjoin and disintegrate, barren, bearing
Josh Gaydos (he/him/his) is a self-taught poet that currently resides in Colorado. He has been published in Barren Magazine, Door Is A Jar Magazine, The Lettered Olive and The City Quill. IG: @jgwrites22
Disappearing wings made from the milky way while rose buds bloom under my shirt.
Sleepy sweet tears streak into snot freezing in my wind-blown hair.
& I’ll forget the drawer full of clean underwear.
Cradled between dolls & boys will be boys skinned knees—all the same.
A body still void of stories. In the morning, blood on the sheets like a war without warning.
Sunbeams cascade through clouds. With my belly on a boat & head in the bathroom—
whispering in the mirror: Don’t be scared of motherhood or the absence of fathers.
Marissa Forbes (she/her) is a writer of all genres. She is an art and writing teacher for creative nonprofits in Colorado, a poetry Instructor for Community Literature Initiative, and the Managing Editor of Twenty Bellows. She was awarded an Author Fellowship from MVICW in 2021 and since 2020 has published numerous short stories and poems in literary journals internationally, which are found on www.marissforbes.com. Her full length collection, Bridging the Gap: Poems & Ethos for Emily Warren Roebling is slated for publication in October 2023 from Finishing Line Press. Forbes lives a colorful life in Denver, Colorado with her two children, dog, and cat. Follow her on Instagram: @word_nerd_ris.