Tag: poems

oscillating | Jeff Stonic

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Image: Jeff Stonic @jeffandtonic

oscillating

the heater whines like exhaled helium
skillet griddles shredded refrigerator potatoes
I am quiet enough to enjoy each individually because you are sleeping
in the bedroom where an oscillating fan barriers sound between us.
I nearly lived a careless life with sails billowed by lies I love to tell myself
when days were difficult and outnumbered the free form ones.
I unfolded myself face down into stovetop lavender syrup, salvaging
homework on a Sunday night, saving what I can for last
while embracing what is daily laid at my feet.
I love my life despite the overly dramatic gun I hold
by my head, pointed somewhere in between a direct
hit, a grazing knick of the skin, and a Catalpa tree
strung by bean-based icicles dangling from the branches
like wind chimes tuned to pitches meant for other creature ears.
Beside me are thin cushions that don’t stack well
enough to tend to my posture.
Yesterday I passed in and out of registers like large bills
in residence within a rich neighborhood’s mall.
This morning I am seven cents on a wooden window sill,
available to so much eyesight, yet left so unbothered.

Jeff Stonic (he/him) is a Denver artist writing poetry, performing and producing standup comedy, and image-making with photography and videography. His poetry has previously appeared in pan pan press and Eunoia Review.

The moon | Steve Anc

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Image: Sven Aeberhard

The moon

She is the peddler at the end of our dreams,
With a beautiful surface.

The dance of the morning,
where gentle sight abides.

The feast of clear color
with smiling song and form.

The sight that sees beyond the sea
And the coming home of the fishes.

The song of the kindly living,
And the coming home of the lovely breeze.

Steve Anc is the son of Ajuzie Nwaorisa, a Nigerian poet. He is a poet with searching knowledge and deep meditation on universal themes, he is quite a modern poet in his adherence to language and his use of metaphor is soul-searching. Anc’s works have been published in Open-door Poetry Magazine, Poetrysoup, Goodlitcompany, Voice From The Void, Our Poetry Archive, I Become The Beast, Fire Magazine

Letitia’s Memories | Sylvia Byrne Pollack

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Image: Keith Chan

Letitia’s Memories

are silent films    slapstick and melodramas
projected onto old white sheets   hung 
inside her skull    If she wants a sound track 
she has to create it herself

Memories blur   and   emulsion molds   
even on precious 35mm Kodachrome slides   
evidence of her family   her childhood   
her dogs   Lassie   and   Bambi

She squirrels letters   photographs   clippings   
opera programs   museum tickets   trip itineraries   
in 8 x11x 4 inch boxes on shelves in her study 
She can’t remember what’s in the boxes   

Who cares what’s in the boxes – 
a memento is not the memory    

Memory requires mind   electrical waves sweeping 
over the cortex   sweeping cobwebs from corners   
swapping one year with another   one face with another   
flux of memory trails through forests of fact and fiction

Memories do not stay stacked neatly in boxes 
but dribble   foam   seep   sublime onto the rug   
into corners   over window sills   flow down 
the clapboards on the side of the house

They trip her up when she goes outside to water 
the garden   Tigers of grief pounce when her back 
is turned    Sudden tears on the anniversary of her 
mother’s death even though it was more than fifty years ago

To look back is to flirt with becoming 
a pillar of salt    but   says Letitia   
with a shrug   it adds needed flavor 
to whatever I’m stewing in today

Sylvia Byrne Pollack, a hard-of-hearing poet and former scientist, has published in Floating Bridge Review, Crab Creek Review, The Stillwater Review and many others. A two-time Pushcart nominee, she won the 2013 Mason’s Road Literary Award, was a 2019 Jack Straw Writer and a 2021 Mineral School Resident. Her debut full-length collection Risking It was published by Red Mountain Press (2021.) Visit her at www.sylviabyrnepollack.com

Until Death | Talya Jankovits

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Image: Oscar Keys

Until Death

One day our bodies
won’t work this way—
won’t fit together 
coaster on tracks, 
wild
ride rise fall plummet 
                                         into
                                                         oblivion.
exhilarate
tummy turned
knotted nausea
panting
fingers clenching,
holding onto,
pushing into,
leaning back to

              There might be 

bedpans.
diapers.
A neat row of teeth 
soaking in solution.
Bones so arthritic
they can’t bend 
towards each other. 
              or unbend, 
and still
I will reach 
for you.

Talya Jankovits’ work has appeared in a number of literary journals. Her short story “Undone” in Lunch Ticket was nominated for a Pushcart Prize and her poem, My Father Is A Psychologist in BigCityLit, was nominated for both a Pushcart prize and The Best of the Net. Her micro piece, “Bus Stop in Morning” is a winner of one of Beyond Words Magazine’s, 250-word challenges. Her Poem, “Guf” was the recipient of the Editor’s Choice Award in Arkana Magazine and nominated for the Best of Net. Her poem, A Woman of Valor, was featured in the 2019/2020 Eshet Hayil exhibit at Hebrew Union College Los Angeles. She holds her MFA in Creative Writing from Antioch University and resides in Chicago with her husband and four daughters. To read more of her work you can visit www.talyajankovits.com, or follow her on twitter or Instagram @talyajankovits

A broken-window wind. | DS Maolalai

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Image: Thom Masat

A broken-window wind.

a broken-
window wind
and these flutters
of unsettled
evenings,
pushing elbows
through shelves
in a second-
hand bookshop.

pages flutter wildly,
falling wide open –
flags flying to signal
all nations.

DS Maolalai (he/him) has been described by one editor as “a cosmopolitan poet” and by another as “prolific, bordering on incontinent”. His poetry has received eleven nominations for Best of the Net and eight for the Pushcart Prize, and has been released in three collections; “Love is Breaking Plates in the Garden” (Encircle Press, 2016), “Sad Havoc Among the Birds” (Turas Press, 2019) and “Noble Rot” (Turas Press, 2022)

Two Poems | Julie Oldbury

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Image: Payson Wick

Daydream

If I am going to be a poet
I had better stop chatting with
the homeless fellow
at the Shell station on the
corner.
I had better pour my coffee
into the most insulated of all the metal
cups
with the most securely sealed lid
engineered, credentialed
so that
I don’t spill any coffee in the car and
I had better not dream
too big before I
decide to move on and
forget myself
I had better not scream
about it and wake myself up

Canopy

The bus will take you to a place
where you have been before
but cannot seem to find.
Where the leaves are starting to turn
and the cool breeze herself
tumbles down the mountain
wearing a yellow turtleneck.
Dancing across the road,
she approaches to give you
the most amazing gift:
the color orange.
Twist it between your fingers
turn it red, against your heart
like when you were a kid
hands flung out the window
cold air rushing between each finger
soft fleece on your skin.
When you become a tree,
how tall will you be?
She asks, gently
swirling beneath the canopy
admiring the blue sky.
When you become a tree,
what will you teach me?
Smiling, she bends her arms
back in time, fluttering
at the edge of the sun
curling up into a memory
dotted with warm light.

Julie Oldbury is a writer, musician, and corporate boss bitch living in Denver, Colorado. She studied English and Creative Writing (Non-fiction and Poetry) and Visual Art at Northwest Missouri State University in Maryville, Missouri. While an undergrad, Julie’s literary thesis explored connections between modernism, abstraction, and gender across the works of Virginia Woolf and Pablo Picasso. She was an editor of the student publication, Medium Weight Forks and a promotions employee of the NWMSU Visiting Writers Series. She earned a graduate degree in business from the University of Houston and currently works in the data insights and security software industry as a part of the Denver and Boulder tech community. Upon moving to Colorado in 2018, Julie rediscovered her excitement and passion for writing poetry. Inspired by her surroundings, her growing relationships, and the global landscape, Julie is in the process of compiling her first body of poetry and is actively seeking to publish her work in independent and avante-garde journals.

Teaching my (step)sister to smoke in the Taco Bell parking lot | Monica Fuglei

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Image: Brandon Holmes

Teaching my (step)sister to smoke in the Taco Bell parking lot

We smoked first, remember? I thought
the tacos would cover our breath, 
rolled the windows of the Mustang down, 
opened the moon roof to look at the stars. 
We were so young, then – summer before
your junior year. I’d just bought my first Docs, 
wore baby doll dresses. Looking at the sky, I 
wondered if this was sisterhood, if we finally
melted our lives together, if I had a shred 
of what you had with your blood sister–if the 
Marlboros, the tacos, the sky, the way we passed
our cigarette back and forth–if this was sisters 
but no, it wasn’t the smoking, it was the drive-thru
fight when I forgot the mild sauce, when I backed up
the car, when I nearly hit the car behind us, 
the way you yelled and laughed, 
it was later when you rocked my daughter through the night
while I slept nearby, exhausted, it was later still
when you packed up your life to move home
after we learned our father was dying, 
it was in the ICU when we shared earbuds
the night before we said goodbye to him, 
the way our heads came together, tethered,
hospital curtains open, the way the stars 
                                                                remained.

Monica Fuglei (she/her) currently teaches in the Department of Composition, Creative Writing and Journalism at Arapahoe Community College in Littleton, Colorado. A 2019 Pushcart Prize nominee, her work has recently appeared in Mason Street Review, a thin slice of anxiety, and The Hidden Peak Review. When she’s not writing or teaching, she’s usually knitting or tweeting on #AcademicTwitter.

April | Mickey Thompson

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Image: Mick Haupt

April

Barefoot and listening to Fiona Apple,
feeling as eternal at 33 as I did at 9 years old,
at 12,
just as likely for every emotion I have ever had
to destroy me or vitalize me,
just like every feeling is a Grand Canyon,
barefoot on the gravel that is every stripe of red
that music has ever made me relive,
invincible and vulnerable at the edge
of realizing that a chasm is beautiful
because of what it exposes.

Mickey Thompson (she/they) is a poet, biologist, and teacher who grew up in Arizona and has now found her heart home in Northern Colorado. Their work has appeared in “Multiverse: An Anthology of Superhero Poetry of Superhuman Proportions” from Write Bloody Publishing, and one self-published chapbook that was stapled together on the arm of a couch in Tucson.

Lately Done, Lately Love | Josh Gaydos

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Image: Andrew Seaman

Lately Done, Lately Love

lately done, lately love
‘neath garlands
neatly trimmed
nearly featureless, without
tethers or hands fastening
to a pledge of allegiance
they cannot keep,
to a creator who spun the trees like
screws before the sign off scene,
like polished high heel shoes

lately done, lately love
with timid approach to cuckoo
clocks dipping beaks in sanded
hours, our end left with a note
that will oil from skin with us,
vinyl and wood, needle and mud
could forget the impression made
without the guesswork
of carbon dating

lately done, lately love
no fruit will fall
from the mail ordered
apartment gardens,
boxed up dirt and seed
seen indirectly like one
another, decomposition
composed alone to
conjoin and disintegrate,
barren, bearing

Josh Gaydos (he/him/his) is a self-taught poet that currently resides in Colorado. He has been published in Barren Magazine, Door Is A Jar Magazine, The Lettered Olive and The City Quill. IG: @jgwrites22

The Last Night Before I Bleed | Marissa Forbes

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Image: Mks Mkss

The Last Night Before I Bleed

Disappearing wings made from the milky
way while rose buds bloom under my shirt.

Sleepy sweet tears streak into
snot freezing in my wind-blown
hair.

& I’ll forget
the drawer full of clean underwear.

Cradled between dolls & boys will be
boys skinned knees—all the same.

A body still void of stories.
In the morning, blood on the
sheets like a war without warning.

Sunbeams cascade through
clouds. With my belly on a boat
& head in the bathroom—

whispering in the mirror:
Don’t be scared of motherhood
or the absence of fathers.

Marissa Forbes (she/her) is a writer of all genres. She is an art and writing teacher for creative nonprofits in Colorado, a poetry Instructor for Community Literature Initiative, and the Managing Editor of Twenty Bellows. She was awarded an Author Fellowship from MVICW in 2021 and since 2020 has published numerous short stories and poems in literary journals internationally, which are found on www.marissforbes.com. Her full length collection, Bridging the Gap: Poems & Ethos for Emily Warren Roebling is slated for publication in October 2023 from Finishing Line Press. Forbes lives a colorful life in Denver, Colorado with her two children, dog, and cat. Follow her on Instagram: @word_nerd_ris.