Department Store – Shane Allison

 

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“god Knows”, Shane Allison, collage

All bed pillows
All beach towels
All down comforters
All wall décor frame framed wall art and mirrors
All frames, albums and scrapbook kits
All custom decorating galaxy collection fabrics
All bath rugs
All solid color towels
All sheets and sheet sets
All blankets and throws
All bed-in-a-bag comforter sets, bedspreads and quilts
All juvenile bedding and accessories
All mattress pads
All games and clocks
All mattress and metal pads
All wicker bath accents
All accent and area rugs
All decorative pillows
All table linens
All decorative accessories and replacement shades
All pet gifts
All bath accessories
All shower curtains
All bath scales
All Comfort Zone therapeutic pillows
All Comfort Zone therapeutic mattress pads
All bedroom furniture
All dining rooms plus two free chairs w/ a 5-pc set purchase
All home office and entertainment centers
All sectionals, sofas and recliners
All occasional tables
All accent furniture and curios
All furniture accessories
All ready-made window coverings
All home collection candles

Are 30 percent off of regular price


15789623069327381524068347692264.jpgFifteen years old was when Shane Allison wrote his first poem. Since then his poems have appeared in countless kick ass literary journals such as Chiron Review, West Wind Review, The Brooklyn Rail, and others. He is the author of four collections of poetry. His new collection Sweet Sweat is out from Hysterical Books. He is also the author of two novels. Harm Done and You’re the One That I Want. 

It’s Not Polite to Stare at Body Autonomy – Shawnie Hamer

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Photo: Josh Newton
  1. Body Autonomy sits next to M & I at a bar named Vesuvius. The kind of place people sit facing north, & maybe each other when the weather is right. Josie the bartender is chatting up a couple a few stools down, shows them a video of Johnny Marr playing a Clash cover to her in Los Angeles. “You are very magnetic,” M says. Josie free-pours silver tequila into cold glasses, says “I know.” Body asks for a remote to the tired TV, flips through channels, mumbles mention of the news headline, a mother pleading for assistance in finding her 17-year-old son, who left in the night to a city she can’t quite name or find on a map. “The heart leaves when we don’t make a home for it,” he whispers into his whiskey lemonade. I don’t feel the need to leave.

    …..

  2. M & I stop to stretch our legs in a tiny town named Big Sur but isn’t actually named Big Sur. A town of stasis, of pausing movement while inertia presses forward in form of rented RV & restless toddlers. A town built on trinkets & organic oils & overpriced rooms. I light a smoke, stretch— one in the same, these days— M snaps analog photos of flowers that sway palm tree green. Body walks by in overalls & combat boots, long blonde hair. She places time-worn lips together into red highway line, hums, “Yummmmmmmm. You don’t see enough people smoking these days.” Swings her bag of chips like a little sis as she continues seaside.

    …….

  3. My parents haven’t seen Body in years. Met them once at a corner on Baker Street. In aisle 5 shopping for Frosted Flakes. A sticky interaction, one worn like memory, like cut-off jean jacket hiding in the back of the closet. When M & I leave for Highway 1, they feel the grief. Miss Body, wish their children could have seen the swag of their grin, heard the sharp cuts of Body’s laugh. They want to tell us these things, want to postpone the distance, but say “Be careful” instead.

    ……..

  4. M & I stop for gas in North Lake Tahoe. We barely make the sunset, water lava-lamp-like, holding ground as we stumble over twigs & tired feet to catch a glimpse. We find the cheapest gas in town, only two options. Fill the tank slowly. A busted black Corolla drives in slowly. The teen boys inside open the door, speak slowly. Say, “Hey! Slow down, baby.” M & I move quickly. Body watches from the next pump, filling up his baby blue Bronco. Shakes his head slowly, says nothing.


    ………..

  5. Body agrees that being locked in a car-sized cage & being licked by Kevin Spacey for a year is better than living out every “would you rather” scenario in alternate dimensions, but not by much.


    ……

  6. M & I stay with our friend L in San Francisco. L takes us to their neighborhood bar. Tells us the first time they really felt their legs was when they took rose-oil-infused-ketamine with Queens at a Pride party. Body sings “We Are the Champions” with the karaoke DJ as we take boomerang videos of our apricot beers clinking.


    ……….

  7. M, L, & I talk numbers, how they follow us. M says 5 is her favorite, a sign of luck when she drives the 12 hours from Minnesota to Denver, & then back again. L says seeing 22, 23, & 24 before their 28th birthday lets them know when to leave someone behind. I have an affinity for 32, my first jersey when I was 9. Tell them about the time K told me about my palm. Told me that I’d meet Body when I was 32. Said, “This uncertainty will be gone at 32.” Body passes us on the sidewalk, crosses south to head down Hyde. We head east, back to the car before the meter runs out at 12:45.

    For Marie, who played 1,632 games of Would-You-Rather with me while we remembered Body’s face. 

…….


Author Photo

Shawnie Hamer was born in the heat & dust of Bakersfield, CA. Her first book, the stove is off at home (Spuyten Duyvil, 2018) is an experimental art & poetry book curated through a community ritual which focused on the identification & exorcism of trauma. Hamer is the founder of collective.aporia, & a co-conspirator of the off.collective. Her poetry can be found in publications such as Bombay Gin, Tooth n Nail: practical advice from and for the everywoman, The Birds We Piled Loosely, SWP Guerrilla Lit Mag, & Tiny Spoon Lit Mag. She is currently living & creating in France.

 

b o o k p i l e – matt clifford

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Photo: Daniel Schludi

The books were dumped from a box when I moved out of the house love from jersey built to make room for more books in the box which were dumped on top of the books first put in the box and set on the bottom where the consequences would be obvious I am alone as an ego trapped in a book pile. I have not read a book in one hundred years. I see so many words. They scroll past me at two thousand years per hour. Everybody is a prophet with a platform standing over attention yelling at old men hear me in four corners I am high on the definition of right now. I did not write it down. I slept a sound, dreamt of better saints, temporary, telling stories of what just happened, today we make our own news out of the dirt beneath the dust that gathered on ink left picked up blew off there is a storm coming I can sense it in my eyes. Information it has been reported, sides, who hurt? The corners do not hurt so much if you lay on a side, I am laying on the side facing you, it is comfortable, beautiful, we have built a circle from rectangles, there is no getting out of, the outer language of rhythmic desire, expression at the limit, how to say what is over there, what is over there, escape me. Be here now let us pray. In the beginning, word, then in the end, book, I am looking for a way to begin the book, I haven’t got a word and never want it to end, feeling, lord make me a channel of your objects, lord make our channel an object send someone else to name it, what is that sound? Do I rise and follow its call, is it calling at all, how would I know, it did it again. Want me like a pattern, over over, form never repeating, you are coming to close the covers, I could lie in the dark call it the new thing, it feels better than the last time, it feels together with the last time, it feels like the same thing, like the first day of my life is still going, like I’m a different person than the baby I used to be, that I perceive myself to be, wish, why is my body so sore and when did you get here? Cannot sleep as peaceful as when I was young with these ghosts to stand above, they cannot live like I do and I am not as important. I am an idea the history surrounding me had already. Adapted for TV. With commercial breaks. Write a check Facebook, I am selling mindspace to the highest outbreak for wallets, you should get in on this, we’ve got six hundred pages burning a hole in the budget and five paragraphs to change. I introduced myself in a rage by the thesis opinions were facts the mob concluded, colluded with schoolchildren in the conspiracy of education. Why do they want me to know these things, why do I want to know anything, will it make my dreams more interesting, will I sweat harder, do they hold the cure for fevers? I believe to addiction in a world rewarding faith. I believe in being scared and sickness. Read deep between the lines of idols and practice self-medication. I am talking to myself again when I should be writing. Sometimes it’s more fun not to fuck.


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Photo: Matt Diss, ALOC Media

Matt Clifford is a punk rock poet in an instrumental poetry band loving his life away in Denver, Colorado. www.blackmarkettranslation.rockswww.mattclifford.org

take me to church – kylie ayn yockey

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Photo: Bartosz Kwitkowski

you’re a cathedral

…………..stained glass watercolor ink old soul new testament

you look like you know the answers

…………..there’s a finality an apocalypse a heaven-hell-dichotomy to your tone

you found me alone in the elements, dressed in black

…………..hand-held through your opening, hat off hair tucked back

I want to ask so many questions, like what are we—

…………..you rest a finger to your lips, shh it’s time for a baptism

I find discomfort in your pews but kneel, kneel always


Kylie Ayn Yockey headshot

Kylie Ayn Yockey is a queer southern creative with a BA in Creative Writing & Literature. Her work has been published or is forthcoming in Glyph, Meow Meow Pow Pow, Night Music Journal, Gravitas, Ordinary Madness, The Stray Branch, Not Very Quiet, Prismatica, Gingerbread House, Butter Press, honey & lime, and Capulet Mag. She has edited for Glyph Magazine, The Louisville Review, Ink & Voices, and is poetry editor for Blood Tree Literature. 

naked body – veronica love

Matt Clifford - Photo Credit Matt Diss ALOC Media

It sounded like she said,
“Every day when I get home, I find a naked body in the bed.”
And in this light, the lines on her face show the naked worry in her head
As I wonder if the body is awake or sleeping,
there is naked fear inside my chest
And the smell of the other’s cologne in the room is a validation of my dread.
We were always meant to be temporary,
But now I feel as though I am being bled
By a stranger,
One that I thought was a ghost.
A name no longer to be said,
A memory of what once was,
Between the one I love,
And the naked body in her bed.


20191206_175719_Film7Veronica Love is a writer of fiction, poetry and editorials. Her work has appeared in several literary journals including Page and Spine and Flash Fiction Addiction. She spends her free times traveling to places rich with culture, reading, writing and laughing. She is always on the lookout for a new and strange adventure and loves dancing in the rain.

Cover Photo: Jp Valery

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her tongue – paul ilechko

Matt Clifford - Photo Credit Matt Diss ALOC Media

She pushes her tongue
into the hole of his castration
his vacancy the hollow
and her saliva mixing
with the memory of loss

                          a hawk shimmies into
                          the place within the sky
                          where the sun used to rise
                          before the blackness
                          became merely emptiness

along the border she finds
men nailed upon crosses …
suspended as a temporary
measure until their paperwork
might be verified

                          a desert is a field
                          that has lost a lottery
                          for which it never even
                          purchased a ticket and really
                          how cruel must that be?

she dreams of children …
and children might once have been
possible might even have been
welcome but not now
not here in this field of bones

                          he remembers being a man
                          in the time before they stripped
                          the tendons from within his
                          flesh and tied him to a post
                          beneath a dying sun

she thrusts her tongue
into the desert of his throat …
squeezing out moisture
that might just keep him alive
for one more day.


Barnes-BW

Paul Ilechko is the author of the chapbooks “Bartok in Winter” (Flutter Press, 2018) and “Graph of Life” (Finishing Line Press, 2018). His work has appeared in a variety of journals, including Manhattanville Review, West Trade Review, Yes Poetry, Otoliths and Indicia. He lives with his partner in Lambertville, NJ. INSTAGRAM| FACEBOOK

Cover Photo: Jared Verdi

real turkey supper – summer j. hart

Matt Clifford - Photo Credit Matt Diss ALOC Media

The shadow wore Gucci.

She picked out his last suit from the stash he kept in the trunk of the Lincoln Continental GT, the one with the keypad lock. She could tap the code in her sleep.

She leaned against the kitchen island, poured Chardonnay, & waited for the meds to kick in.

After the funeral, she started cutting the suits into tiny identical squares, the way she diced tomatoes, stacking them into neat piles in the closets & under the beds.

He hovered by the dishwasher.

The tubes, oxygen, wheelchair, morphine had all become necessary evils in the end—the four fucking horsemen, he had joked, coughing & taking another drag.

This form cut a confident silhouette.

Stay awhile, I guess, how does that song go? He floated under the artificial daylight to an empty chair & held out his hand.

A constellation of tiny, jagged stars twinkled in the swirling dark of his palm. Cubic Zirconia, she thought, as they clattered onto the blonde oak table.

His sleeve began to unravel, his hand to dissipate. She wished she could see his eyes, his tell, but the darkness was fading now, sinking into the linoleum.

The Sunday after he died, she stole letters off the church marquee because what did they actually know of ghosts, holy or otherwise?

She slapped them down on the table like she was dealing: REAL TURKEY SUPPER
His silent laughter rattled the silverware.

She contemplated the empty bottle—squinted her eyes at it until it wavered & split into two. The suit had uncoiled itself into a single tangled thread, his body an inkblot on the tiles.

She pulled out leftovers from the fridge.

Cigarette smoke & unfamiliar perfume clung to the air between them.

Some things even death can’t change.

She stepped over what remained, to the microwave, & hit reheat setting 1. She stared at the slow spinning plate, counting the clunks made with each rotation.

Maybe they were diamonds this time.


SJHARTphotoSummer J. Hart is an interdisciplinary artist from Maine, living in the Hudson Valley, New York. Her written and visual narratives are influenced by folklore, superstition, divination, and forgotten territories reclaimed by nature. Her poetry appears in Northern New England Review, vol 39 & Third Point Press, Issue 14. Her mixed-media installations have been featured in galleries including Pen + Brush, NYC, Gitana Rosa Gallery at Paterson Art Factory, Paterson, NJ, & LeMieux Galleries, New Orleans, LA. She is a member of the Listuguj Mi’gmaq First Nation. WEBSITE | INLIQUID SITE

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night drives – taylor jones

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All of us jammed
into the back seat
perhaps
accidentally
I end up next to you.
The force of the curves
presses me against you
and I feel your warmth
through your coat.
My stomach aches, cramping
as my body
sheds blood tears
aching for you.
And as the city blurs by
indifferently
I watch
your lips
not move.


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Taylor Jones is a conservation biologist by training, and spends her days either trying to save the world or escape it via writing and reading. She is an aficionado of the weirdest things in nature, and hopes to one day meet an alien. She lives in Denver, Colorado, in a house full of plants. Instagram: @tjonespainting

gas station famous – jason ryberg

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for Victor Clevenger and John Dorsey

It was a hot and windy Saturday morning
in mid-September and Summer was clearly
letting us know that it wasn’t quite done with us yet.

We were buying coffee and donuts and DayQuil
at a gas station just outside of St. John, Kansas
in a desperate, pre-emptive effort to circumvent our
looming collective hangovers before they really kicked in.

I was wearing all black,
doing my best shabby working-man chic /
3rd rate Tom Waits / Johnny Cash shtick: big boots
big belt buckle and paper-boy hat, rakishly angled.

Victor had more of a quaffed and groomed
punk rock / hip-hop thing going:
red Chuck Taylors, baggy jeans,
silk bowling style shirt showing his sleeves of tattoos,
a black stingy-brim and faint hint of cologne.

And John was just doing John as only John can do:
golden ringlets and big, bushy beard,
classic black-rimmed nerd glasses and Doc Marten’s
with Virgin Marys painted on them.
I suppose we must have appeared a bit exotic
and out of place to some of the locals who
came and went with their purchases that morning:

just sitting on the bench outside,
sipping our coffee, scratching away at lottery tickets,
trying to figure out our next move while
watching a lone tumble-weed drunkenly
meander its way North on US 281.

We were on the road and off the grid—
AWOL, MIA and whereabouts unknown:
three wayward, vagabond gypsy-princes of poesy,
tethered to nothing and beholden to no one,
spreading the seed of The Word wherever the wind took us…

Eventually, the girl working there came outside,
fired up a Pall Mall and asked us,

Y’all famous?


Ryberg author photo

Jason Ryberg is the author of thirteen books of poetry,
six screenplays, a few short stories, a box full of folders, notebooks and scraps of paper that could one day be (loosely) construed as a novel, and, a couple of angry letters to various magazine and newspaper editors. He is currently an artist-in-residence at both 
The Prospero Institute of Disquieted P/o/e/t/i/c/s and the Osage Arts Community, and is an editor and designer at Spartan Books. His latest collection of poems is Standing at the Intersection of Critical Mass and Event Horizon (Luchador Press, 2019). He lives part-time in Kansas City with a rooster named Little Red and a billygoat named Giuseppe and part-time somewhere in the Ozarks, near the Gasconade River, where there are also many strange and wonderful woodland critters. 

Top Photo: Christopher Paul High